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Poster Print of Still Life, Walter Langley (1852-1922)

Still Life, Walter Langley (1852-1922)

Still Life, Walter Langley (1852-1922)
Oil on board, Newlyn School, late 19th / early 20th century. Walter Langley was born in Birmingham, the eighth of eleven children of William Langley, a tailor, and his wife, Mary Ann. He was enrolled at the age of ten in evening classes at the Birmingham School of Design. He was apprenticed to lithographer, August Heinrich Biermann, and through lithography was introduced to the use of watercolour. Attracted to the medium, he set about learning to paint.

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Poster Print of Still Life, Walter Langley (1852-1922)

Oil on board, Newlyn School, late 19th / early 20th century. Walter Langley was born in Birmingham, the eighth of eleven children of William Langley, a tailor, and his wife, Mary Ann. He was enrolled at the age of ten in evening classes at the Birmingham School of Design. He was apprenticed to lithographer, August Heinrich Biermann, and through lithography was introduced to the use of watercolour. Attracted to the medium, he set about learning to paint. He finally abandoned lithography to take up painting as a profession in 1879. In 1880, Langley visited Newlyn briefly and in the following year spent periods in both Brittany and Newlyn. He settled in Newlyn in 1882, one of the first artists to arrive there. His humble beginnings and his struggle for artistic recognition gave him a sympathetic insight into the hardships faced by the Newlyn community in its attempts to gain a livelihood from the sea. A study of a fisherman's widow, Time Moveth Not, Our Being Tis That Moves, submitted to the Dudley Gallery's Spring 1883 exhibition, caused a sensation and led to his membership of the Institute of Painters in Watercolour. Apart from a return to Birmingham in 1866-1867 and brief excursions to the continent, Langley remained for the rest of his life in Cornwall. He was honoured in 1886 by an exhibition of watercolours at the New Art Gallery in Birmingham and received international recognition through the award of a gold medal for watercolours at the Paris Exhibition of 1889. The fact that this still-life study (dedicated to his friend and fellow artist Ralph Todd) is painted in oils makes it an unusual addition to Langley's canon of work

© RIC

Media ID 19649892

Artist , Artwork , Basket , Black , Bottle , Brown , Coat , Cornwall , France , Gold , Grey , Painting , Picture , Stripe , Striped , Stripes , White , Wicker

A4 (30x21cm) Poster

Archival quality poster paper, ideal for printing larger pictures

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A4 Poster (30 x 21cm, 8.3 x 11.7 inches) printed on 170gsm Satin Poster Paper. Securely packaged, rolled and inserted into a strong mailing tube and shipped tracked. Poster Prints are of comparable archival quality to our Photographic prints, they are simply printed on thinner Poster Paper. Whilst we only use Photographic Prints in our frames, you can frame Poster Prints if they are carefully supported to prevent sagging over time.

This picture is available as a Framed Print , Photographic Print , Jigsaw Puzzle , Canvas Print , Poster Print , Greeting Card , Cushion , Metal Print , Fine Art Print , Mounted Print , Glass Frame , Acrylic Blox , Classic Framed , Mouse Mat , Glass Place Mat

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TRURI : 1999.27

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