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Cornwall Gallery

Available as Prints and Gift Items

Choose from 93 pictures in our Cornwall collection for your Wall Art or Photo Gift. All professionally made for Quick Shipping.


Jubilee Procession in a Cornish Village, A.G. Sherwood Hunter (1846-1919)
Jubilee Procession in a Cornish Village, A.G. Sherwood Hunter (1846-1919)
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The Ringers of Launcells Tower, Frederick Smallfield (1829-1915)
The Ringers of Launcells Tower, Frederick Smallfield (1829-1915)
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Tucking Pilchards at Cadgwith, Cornwall. Late 1800s
Tucking Pilchards at Cadgwith, Cornwall. Late 1800s
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A China Clay Pit, Leswidden, Harold Harvey (1874-1941)
A China Clay Pit, Leswidden, Harold Harvey (1874-1941)
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The Clay Pit, Harold Harvey (1874-1941)
The Clay Pit, Harold Harvey (1874-1941)
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Cottages at the head of the creek, Ruan Lanihorne, Cornwall. Around 1925
Cottages at the head of the creek, Ruan Lanihorne, Cornwall. Around 1925
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Wrestling match advertisement, Bolingey, Perranzabuloe, Cornwall. 15th May 1839
Wrestling match advertisement, Bolingey, Perranzabuloe, Cornwall. 15th May 1839
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Rosemundy House, St Agnes, Cornwall. Early 1900s
Rosemundy House, St Agnes, Cornwall. Early 1900s
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Ships in a Harbour, Eugene Boudin (1824-1898)
Ships in a Harbour, Eugene Boudin (1824-1898)
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Youth Brandishing a Cutlass, Maso Finiguerra (1426-1464)
Youth Brandishing a Cutlass, Maso Finiguerra (1426-1464)
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Edward Heath Rodd, England. Around 1879
Edward Heath Rodd, England. Around 1879
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Tamsin Blight, the White Witch of Helston, William Jones Chapman (1808-1872)
Tamsin Blight, the White Witch of Helston, William Jones Chapman (1808-1872)
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The Ringers of Launcells Tower, Frederick Smallfield (1829-1915) Featured Print

The Ringers of Launcells Tower, Frederick Smallfield (1829-1915)

Oil on canvas, English School, 1887. This painting was inspired by the poem The Ringers of Launcells Tower by Rev. R.S. Hawker of Morwenstow in his book Cornish Ballads and Other Poems'. In this poem, the bell ringers who rang at the accession of George III in 1760 were still alive to ring at his golden jubilee in 1810. The church of Launcells is midway between Stratton and Bude. The picture was painted 77 years after George III's golden jubilee and so is a total reconstruction. There is, therefore, no possibility that the figures are actual portraits of the 1810 ringers. Nevertheless, Smallfield had visited the church tower before he started the painting but made certain alterations to the layout for artistic reasons. He also studied the bell ringers at his local church in Willesden, north west London, to get the action and the angle of the ropes correct. A watercolour version of this painting was exhibited at the Watercolour Society in 1878. Frederick Smallfield studied at the Royal Academy and subsequently exhibited there several times. He lived for most of his life in London and at Lee-on-Solent in Hampshire

© RIC

Green Waters, Henry Scott Tuke (1858-1929)
Green Waters, Henry Scott Tuke (1858-1929)
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Irene, Bryan Pearce (1929-2007)
Irene, Bryan Pearce (1929-2007)
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Westmoreland and Cornish wrestlers, engraving. 1851
Westmoreland and Cornish wrestlers, engraving. 1851
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Captain Tom Gundry, champion Cornish wrestler. Probably early 1880s
Captain Tom Gundry, champion Cornish wrestler. Probably early 1880s
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Sail-makers, Padstow, Cornwall. 1900
Sail-makers, Padstow, Cornwall. 1900
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Harveys Foundry, Hayle, Cornwall. Late 1850s
Harveys Foundry, Hayle, Cornwall. Late 1850s
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General View, Dolcoath Mine, Camborne. Early 1900s
General View, Dolcoath Mine, Camborne. Early 1900s
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South Condurrow Mine, Camborne, Cornwall. 1892
South Condurrow Mine, Camborne, Cornwall. 1892
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Cornish wrestlers, wood block print. 1820-1830
Cornish wrestlers, wood block print. 1820-1830
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The Falcon Inn and view up hill with a postman walking towards the camera
The Falcon Inn and view up hill with a postman walking towards the camera
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House in the Trees at Hampstead, John Constable (1776-1837)
House in the Trees at Hampstead, John Constable (1776-1837)
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James Polkinghorne, the Cornish Wrestler, Artist Unknown
James Polkinghorne, the Cornish Wrestler, Artist Unknown
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Green Waters, Henry Scott Tuke (1858-1929) Featured Print

Green Waters, Henry Scott Tuke (1858-1929)

Oil on canvas, Newlyn School, late 19th / early 20th century. A man sculling in a small boat. Henry Scott Tuke was born into a Quaker family in Lawrence Street, York. In 1859 the family moved to Falmouth, where his father Daniel Tuke , a physician, established a practice. Tuke was encouraged to draw and paint from an early age and some of his earliest drawings, aged four or five years old, were published in 1895. In 1875, he enrolled in the Slade School of Art. Initially his father paid for his tuition but in 1877 Tuke won a scholarship, which allowed him to continue his training at the Slade and in Italy in 1880. From 1881 to 1883 he was in Paris where he met the artist Jules Bastien-Lepage, who encouraged him to paint en plein air (in the open air) a method of working that came to dominate his practice. While studying in France, Tuke decided to move to Newlyn, Cornwall where many of his Slade and Parisian friends had already formed the Newlyn School of painters. He received several lucrative commissions there, after exhibiting his work at the Royal Academy of Art in London. In 1885, he returned to Falmouth where many of his major works were produced. He became an established artist and was elected to full membership of the Royal Academy in 1914. Tuke suffered a heart attack in 1928 and died in March 1929. In his will he left generous amounts of money to some of the men who, as boys, had been his models. Today he is remembered mainly for his oil paintings of young men, but in addition to his achievements as a figurative painter, he was an established maritime artist and produced as many portraits of sailing ships as he did human figures. He was a prolific artist, over 1,300 works are listed and more are still being discovered

© RIC

The Pilgrimage to Canterbury, Thomas Stothard (1755-1834)
The Pilgrimage to Canterbury, Thomas Stothard (1755-1834)
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The Archers, John Singer Sargent (1856-1925)
The Archers, John Singer Sargent (1856-1925)
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Madonna and Child, Rogier van der Weyden (1399-1464)
Madonna and Child, Rogier van der Weyden (1399-1464)
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Monday, Bryan Pearce (1929-2007)
Monday, Bryan Pearce (1929-2007)
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Still Life, Walter Langley (1852-1922)
Still Life, Walter Langley (1852-1922)
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Tin Figurine
Tin Figurine
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A Concert Party, Artist Unknown
A Concert Party, Artist Unknown
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Two Children Singing, Sir Peter Lely (1618-1680)
Two Children Singing, Sir Peter Lely (1618-1680)
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Boy Rowing out from Rocky Shore, Henry Scott Tuke (1858-1929)
Boy Rowing out from Rocky Shore, Henry Scott Tuke (1858-1929)
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Seascape with Sailing Craft, Henry Scott Tuke (1858-1929)
Seascape with Sailing Craft, Henry Scott Tuke (1858-1929)
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Julia Domna Silver Denarius
Julia Domna Silver Denarius
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Queen Anne Silver Shilling, England
Queen Anne Silver Shilling, England
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Madonna and Child, Rogier van der Weyden (1399-1464) Featured Print

Madonna and Child, Rogier van der Weyden (1399-1464)

Oil on panel, Dutch School, 15th century. Dutch artist Rogier van der Weyden was one of the most profound and influential painters of the 15th century. He was internationally famed for the naturalism of his detail and his expressive pathos. He created a range of types, for portraits and for religious subjects, which were repeated throughout the Netherlands, the Iberian peninsula, and even Italy, until the mid 16th century. He was apprenticed to Robert Campin in Tournai from March 1427 to August 1432 but he soon equalled his master and was later to influence Campin's own work. In 1435 he was made painter to the city of Brussels. In 1450 he may have travelled to Rome. He worked for Philip the Good, Duke of Burgundy, and for foreign princes, as well as for the city and church. Rogier van der Weyden was highly successful and internationally famous in his lifetime. By the latter half of the 15th century, he had eclipsed Jan van Eyck in popularity. However, his fame lasted only until the 17th century, and largely due to changing taste, he was almost totally forgotten by the mid 18th century. His reputation was slowly rebuilt during the following 200 years and today he is known, with Campin and van Eyck, as the third (by birth date) of the three great Early Flemish artists, and widely as the most influential Northern painter of the 15th century. The Madonna and Child was a traditional subject for Renaissance artists, commissioned both by the Church and by private individuals. The use of oil paint on wooden panel, rather than egg tempera which was the dominant medium in Italy during this period, is a particularly Northern European development which gradually spread south to Italy through the 15th century

© RIC

Electrotype Greek Coin from Thurium, Southern Italy
Electrotype Greek Coin from Thurium, Southern Italy
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Copper Alloy Pre-decimal One Penny (1d) Coin, England
Copper Alloy Pre-decimal One Penny (1d) Coin, England
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Queen Victoria Jubilee Head Silver Crown, England
Queen Victoria Jubilee Head Silver Crown, England
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Gold Electrotype of the Juxon Medal, England
Gold Electrotype of the Juxon Medal, England
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Silver Tetradrachm, Egypt
Silver Tetradrachm, Egypt
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Dummy Board of a Girl in Costume of the William and Mary Period
Dummy Board of a Girl in Costume of the William and Mary Period
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Dummy Board of a Boy in Costume of the William and Mary Period
Dummy Board of a Boy in Costume of the William and Mary Period
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John Vivian of Pencalenick, John Opie (1761-1807)
John Vivian of Pencalenick, John Opie (1761-1807)
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Christ Mocked, Annie Walke (1877-1965)
Christ Mocked, Annie Walke (1877-1965)
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St Just Tin Miners, Harold Harvey (1874-1941)
St Just Tin Miners, Harold Harvey (1874-1941)
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Figure of Apis Bull, Egypt
Figure of Apis Bull, Egypt
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Richard Arthur (Dicky Nine Lives), Edwyn Vincent (1858-1919)
Richard Arthur (Dicky Nine Lives), Edwyn Vincent (1858-1919)
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