Countryside Gallery

Black John of Tetcott, James Northcote (1746-1831)

Oil on canvas, English School. In 1784 Northcote painted the portrait of John Arscott (1718-1788) of Tetcott, Devon, and it is probable that he painted this portrait of Black John of Tetcott at same the time. Black John was under four foot in height and suffered from kyphosis, known at the time this portrait was painted as hunchback'. The descriptions of his life, spent in the service of John Arscott, record his success as a jester and his devotion to his master'. It was common for servants lives to be overlooked and trivialised by the households they worked for and for their histories to be re-written, ensuring that they had no voice of their own. For example, it was noted that "his role as jester included swallowing and retrieving strings of live mice and mumbling sparrows, removing their feathers with his teeth while the sparrow was in his mouth. He died of grief shortly after his master." There is no history of Black John's life (not even a record of his real name) that is not in relation to that of his master'. James Northcote was born in Plymouth, the son of a watchmaker and optician. He was apprenticed to his father's trade but showed a talent for art. In 1769 he left his father's work and set up as a portrait painter. He was admitted as a pupil into the studio and house of Sir Joshua Reynolds in London as a pupil and assistant between 1771 and 1776. He came to consider himself an authority on his master and in 1813, after Reynolds death, he published his posthumous Memoirs of Sir Joshua Reynolds

© RIC

Medros Farmhouse and Methrose Farmhouse, Luxulyan, Cornwall. 1959

A view of the farmhouse and courtyard walls. The courtyard walls are attached to the south and east of Medros Farmhouse and Methrose Farmhouse. The courtyard walls are built from granite rubble, faced in granite ashlar, and date from the mid 17th century. An octagonal granite font, probably of medieval origin, is situated in the courtyard. It is said to have been used by John Wesley for baptisms in the 18th century. Photographer: Charles Woolf

© RIC, photographer Charles Woolf

View of Porthallow from the hill, St Keverne, Cornwall. 1897

View down the valley to the village of Porthallow with the sea in the distance. A horse and cart is at the bottom of the lane, on its way back up the hill from the beach. A number of ladies are standing at the doorway of the thatched whitewashed cottage on the left. Photographer: Herbert Hughes

© From the collection of the RIC

Coastal Villages, Cornish, Countryside, Fishing Cove, The Lizard