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Face Gallery

Available as Prints and Gift Items

Choose from 27 pictures in our Face collection for your Wall Art or Photo Gift. All professionally made for Quick Shipping.


Tresahor Quarry, Constantine, Cornwall. 1903-1904
Tresahor Quarry, Constantine, Cornwall. 1903-1904
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Study of Three Girls Heads, Lucas Cranach the elder (1472-1553)
Study of Three Girls Heads, Lucas Cranach the elder (1472-1553)
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Mrs Phillips of Goonere, Scorrier, Gwennap, Cornwall. October 1907
Mrs Phillips of Goonere, Scorrier, Gwennap, Cornwall. October 1907
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Tamsin Blight, the White Witch of Helston, William Jones Chapman (1808-1872)
Tamsin Blight, the White Witch of Helston, William Jones Chapman (1808-1872)
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J. Davies Enys, Henry Scott Tuke (1858-1929)
J. Davies Enys, Henry Scott Tuke (1858-1929)
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Irene, Bryan Pearce (1929-2007)
Irene, Bryan Pearce (1929-2007)
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Replica Bust of Nefertiti, Germany
Replica Bust of Nefertiti, Germany
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A Concert Party, Artist Unknown
A Concert Party, Artist Unknown
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Two Children Singing, Sir Peter Lely (1618-1680)
Two Children Singing, Sir Peter Lely (1618-1680)
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The Boy Jacka, Henry Scott Tuke (1858-1929)
The Boy Jacka, Henry Scott Tuke (1858-1929)
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William Hayler Bishop, Henry Scott Tuke (1858-1929)
William Hayler Bishop, Henry Scott Tuke (1858-1929)
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Harry, Henry Scott Tuke (1858-1929)
Harry, Henry Scott Tuke (1858-1929)
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J. Davies Enys, Henry Scott Tuke (1858-1929) Featured Print

J. Davies Enys, Henry Scott Tuke (1858-1929)

Oil on canvas, Newlyn School, early 20th century. John Davies Enys (1837-1912) was born at Enys, near Penryn, Cornwall, and emigrated to New Zealand in 1861. He was devoted to the natural sciences and travelled widely in search of specimens. Despite his scientific discoveries and published papers, Enys only ever saw himself as a gentleman collector'. He sent many objects back to Cornwall from New Zealand, some of which are in the Royal Cornwall Museum collections. He returned to the Enys Estate in 1891, which he inherited in 1906. Enys was twice President of the Royal Institution of Cornwall, in 1893-1895 and again from 1911 until his death in 1912. Mount Enys, the highest peak in the Craigieburn Range, Canterbury, is named after him. Henry Scott Tuke was born into a Quaker family in Lawrence Street, York. In 1859 the family moved to Falmouth, where his father Daniel Tuke, a physician, established a practice. Tuke was encouraged to draw and paint from an early age and some of his earliest drawings, aged four or five years old, were published in 1895. In 1875, he enrolled in the Slade School of Art. Initially his father paid for his tuition but in 1877 Tuke won a scholarship, which allowed him to continue his training at the Slade and in Italy in 1880. From 1881 to 1883 he was in Paris where he met the artist Jules Bastien-Lepage, who encouraged him to paint en plein air (in the open air) a method of working that came to dominate his practice. While studying in France, Tuke decided to move to Newlyn, Cornwall where many of his Slade and Parisian friends had already formed the Newlyn School of painters. He received several lucrative commissions there, after exhibiting his work at the Royal Academy of Art in London. In 1885, he returned to Falmouth where many of his major works were produced. He became an established artist and was elected to full membership of the Royal Academy in 1914. Tuke suffered a heart attack in 1928 and died in March 1929. In his will he left generous amounts of money to some of the men who, as boys, had been his models. Today he is remembered mainly for his oil paintings of young men, but in addition to his achievements as a figurative painter, he was an established maritime artist and produced as many portraits of sailing ships as he did human figures. He was a prolific artist, over 1,300 works are listed and more are still being discovered

© RIC

Julia Domna Silver Denarius
Julia Domna Silver Denarius
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Long Case Clock, St Erth, Cornwall, England
Long Case Clock, St Erth, Cornwall, England
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Moche Culture Portrait Vessel, Truxillo, Peru
Moche Culture Portrait Vessel, Truxillo, Peru
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John Vivian of Pencalenick, John Opie (1761-1807)
John Vivian of Pencalenick, John Opie (1761-1807)
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Pottery Bottle, Peru, South America
Pottery Bottle, Peru, South America
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Obby Oss Mask, Padstow, Cornwall, England
Obby Oss Mask, Padstow, Cornwall, England
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South Island Giant Moa (Dinornis robustus) Right Leg, Castle Hill Station, Canterbury
South Island Giant Moa (Dinornis robustus) Right Leg, Castle Hill Station, Canterbury
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Annie Rowney, Leghe Suthers (1856-1924)
Annie Rowney, Leghe Suthers (1856-1924)
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Julius Caesar Copper Alloy Coin
Julius Caesar Copper Alloy Coin
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Slate Plaque, Neville Northy Burnard (1818-1878)
Slate Plaque, Neville Northy Burnard (1818-1878)
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Bronze Incense Burner (Koro), Japan
Bronze Incense Burner (Koro), Japan
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Carved Figure, Mandalay, Myanmar (formerly Burma), South East Asia
Carved Figure, Mandalay, Myanmar (formerly Burma), South East Asia
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John Vivian of Pencalenick, John Opie (1761-1807) Featured Print

John Vivian of Pencalenick, John Opie (1761-1807)

Oil on canvas, English School, around 1780. A portrait of a young John Vivian of Pencalenick (1772-1817). Vivian later became a Barrister and was High Sheriff of Cornwall in 1812. John Opie was born in Harmony Cottage, Trevellas, between St Agnes and Perranporth in Cornwall. He was the youngest of the five children of Edward Opie, a master carpenter, and his wife Mary (nee Tonkin). He showed a precocious talent for drawing and mathematics, and by the age of twelve he had mastered the teachings of Greek mathematician Euclid and opened an evening school for poor children where he taught reading, writing and arithmetic. His father, however, did not encourage his abilities, and apprenticed him to his own trade of carpentry. Opie's artistic abilities eventually came to the attention of local physician and satirist, Dr John Wolcot (who used the pen name Peter Pindar), who visited him at the sawmill where he was working in 1775. Recognising a great talent, Wolcot became Opie's mentor, buying him out of his apprenticeship and insisting that he come to live at his home in Truro. Wolcot provided invaluable encouragement, advice, tuition and practical help in the advancement of his early career, including obtaining many commissions for work. In 1781, having gained considerable experience as a portraitist travelling around Cornwall, Opie moved to London with Wolcot. There they lived together, having entered into a formal profit-sharing agreement. Although Opie had received a considerable artistic education from Wolcot, the doctor chose to present him as a self-taught prodigy; a portrait of a boy shown at the Society of Artists the previous year, had been described in the catalogue as "an instance of Genius, not having ever seen a picture." Wolcot introduced the "Cornish wonder" to leading artists, including Sir Joshua Reynolds, who was to compare him to Caravaggio and Velazquez

© RIC

Earthenware Figure Group of The Vicar and Moses, Burslem, Staffordshire, England
Earthenware Figure Group of The Vicar and Moses, Burslem, Staffordshire, England
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Earthenware Bust of John Wesley, Staffordshire, England
Earthenware Bust of John Wesley, Staffordshire, England
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Maen Quarry, Constantine, Cornwall. Around 1900
Maen Quarry, Constantine, Cornwall. Around 1900
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