J. Davies Enys, Henry Scott Tuke (1858-1929)
Oil on canvas, Newlyn School, early 20th century. John Davies Enys (1837-1912) was born at Enys, near Penryn, Cornwall, and emigrated to New Zealand in 1861. He was devoted to the natural sciences and travelled widely in search of specimens. Despite his scientific discoveries and published papers, Enys only ever saw himself as a 'gentleman collector'. He sent many objects back to Cornwall from New Zealand, some of which are in the Royal Cornwall Museum collections. He returned to the Enys Estate in 1891, which he inherited in 1906. Enys was twice President of the Royal Institution of Cornwall, in 1893-1895 and again from 1911 until his death in 1912. Mount Enys, the highest peak in the Craigieburn Range, Canterbury, is named after him. Henry Scott Tuke was born into a Quaker family in Lawrence Street, York. In 1859 the family moved to Falmouth, where his father Daniel Tuke, a physician, established a practice. Tuke was encouraged to draw and paint from an early age and some of his earliest drawings, aged four or five years old, were published in 1895. In 1875, he enrolled in the Slade School of Art. Initially his father paid for his tuition but in 1877 Tuke won a scholarship, which allowed him to continue his training at the Slade and in Italy in 1880. From 1881 to 1883 he was in Paris where he met the artist Jules Bastien-Lepage, who encouraged him to paint en plein air (in the open air) a method of working that came to dominate his practice. While studying in France, Tuke decided to move to Newlyn, Cornwall where many of his Slade and Parisian friends had already formed the Newlyn School of painters. He received several lucrative commissions there, after exhibiting his work at the Royal Academy of Art in London. In 1885, he returned to Falmouth where many of his major works were produced. He became an established artist and was elected to full membership of the Royal Academy in 1914. Tuke suffered a heart attack in 1928 and died in March 1929. In his will he left generous amounts of money to some of the men who, as boys, had been his models. Today he is remembered mainly for his oil paintings of young men, but in addition to his achievements as a figurative painter, he was an established maritime artist and produced as many portraits of sailing ships as he did human figures. He was a prolific artist, over 1,300 works are listed and more are still being discovered.
Annie Rowney, Leghe Suthers (1856-1924)
Oil on canvas, Newlyn School, late 19th / early 20th century. John Lees, or 'Leghe' Suthers was born in Oldham, Greater Manchester. Very little is known about his early life, but it is assumed that he spent his formative years around Southport in Lancashire, where he is known to have lived before moving to Newlyn. Suthers studied at Verlat's Academy in Antwerp and was great friends with fellow Newlyn artists Fred Hall and Frank Bramley, who also studied there. He later met Stanhope Forbes in Brittany. He went to paint in Venice, and Venetian subjects dominated his early works shown at the Royal Academy. An early visitor to Newlyn, staying for some months in 1883, Suthers continued to use his Southport address for his Royal Academy submissions until 1893 (having first exhibited there in 1885). It is difficult to determine when he settled in Newlyn, particularly as he was often away from the village, but he was a keen advocate of the 'square brush' technique, clearly visible in this portrait, and seems to have been an integral member of the colony. It is thought that had probably stopped painting in Newlyn by 1900 and had settled along with Fred Hall in Porlock, Somerset.