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Harness Gallery

Available as Prints and Gift Items

Choose from 8 pictures in our Harness collection for your Wall Art or Photo Gift. All professionally made for Quick Shipping.


St Just Tin Miners, Harold Harvey (1874-1941)
St Just Tin Miners, Harold Harvey (1874-1941)
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The Royal Cornwall Show, Camborne, Cornwall. 13th-14th June 1923
The Royal Cornwall Show, Camborne, Cornwall. 13th-14th June 1923
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Haymaking, Cornwall. May-June 1916
Haymaking, Cornwall. May-June 1916
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Man with donkey cart, Truro, Cornwall. Around 1900
Man with donkey cart, Truro, Cornwall. Around 1900
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Carting flower boxes, Bryher, Isles of Scilly, Cornwall. 1910s
Carting flower boxes, Bryher, Isles of Scilly, Cornwall. 1910s
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Loading flower boxes, Bryher, Isles of Scilly, Cornwall. 1910s
Loading flower boxes, Bryher, Isles of Scilly, Cornwall. 1910s
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The village blacksmith, Goonhavern, Perranzabuloe, Cornwall. Early 1900s
The village blacksmith, Goonhavern, Perranzabuloe, Cornwall. Early 1900s
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A horse and cart in Truro, Cornwall. Early 1900s
A horse and cart in Truro, Cornwall. Early 1900s
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St Just Tin Miners, Harold Harvey (1874-1941) Featured Print

St Just Tin Miners, Harold Harvey (1874-1941)

Oil on canvas, Newlyn School, 1935. Harold Harvey was one of the few successful artists of the period who was born and raised in Cornwall. He grew up surrounded by the industry he would later paint and counted many of the working people he depicted as friends. He originally studied under Norman Garstin, but also visited Paris as a young man where he was greatly influenced by the Post-Impressionist movement. His earlier work was very much influenced by Stanhope Forbes, though it changed as he grew older, his brushwork becoming less thick and his forms more simple. Some of his later work shows a period stylisation but without the Picasso influences of his contemporaries Ernest and Dod Procter. Harvey continued to work right up to his death in 1941. The painting is, in essence, a portrait of two miners, Nicholas Grenfell and Sydney Angove, who were lifelong friends of the artist. They had both worked at Botallack and Geevor mines before each retired due to ill health. They are posed in Harvey's studio in front of a backdrop of a scene from a Malayan tin mine. In the late 1920s cheaper tin from Malaya undercut the price of Cornish tin and many miners emigrated in search of work. The painting, therefore, could be seen as much a comment on the decline of the tin mining industry in Cornwall as it is a celebration of the Cornish diaspora

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