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Framed Pictures, Canvas Prints
Posters & Jigsaws since 2004

Industry Gallery

Available as Framed Prints, Photos, Wall Art and Gift Items

Choose from 76 pictures in our Industry collection for your Wall Art or Photo Gift. Popular choices include Framed Prints, Canvas Prints, Posters and Jigsaw Puzzles. All professionally made for quick delivery.


The Clay Pit, Harold Harvey (1874-1941) Featured Print

The Clay Pit, Harold Harvey (1874-1941)

Oil on canvas, Newlyn School, 1923. View of Leswidden China Clay Works near St Just. This painting shows the harsh, labour-intensive working conditions of a china clay pit. Leswidden China Clay Works, near St Just, was a more primitive works than the larger, more mechanised works in the St Austell area. The pit was closed before 1942. Harold Harvey was one of the few successful artists of the period who was born and raised in Cornwall. He grew up surrounded by the industry he would later paint and counted many of the working people he depicted as friends. He originally studied under Norman Garstin, but also visited Paris as a young man where he was greatly influenced by the Post-Impressionist movement. His earlier work was very much influenced by Stanhope Forbes, though it changed as he grew older, his brushwork becoming less thick and his forms more simple. Some of his later work shows a period stylisation but without the Picasso influences of his contemporaries Ernest and Dod Procter. Harvey continued to work right up to his death in 1941.

© RIC

St Just Tin Miners, Harold Harvey (1874-1941) Featured Print

St Just Tin Miners, Harold Harvey (1874-1941)

Oil on canvas, Newlyn School, 1935. Harold Harvey was one of the few successful artists of the period who was born and raised in Cornwall. He grew up surrounded by the industry he would later paint and counted many of the working people he depicted as friends. He originally studied under Norman Garstin, but also visited Paris as a young man where he was greatly influenced by the Post-Impressionist movement. His earlier work was very much influenced by Stanhope Forbes, though it changed as he grew older, his brushwork becoming less thick and his forms more simple. Some of his later work shows a period stylisation but without the Picasso influences of his contemporaries Ernest and Dod Procter. Harvey continued to work right up to his death in 1941. The painting is, in essence, a portrait of two miners, Nicholas Grenfell and Sydney Angove, who were lifelong friends of the artist. They had both worked at Botallack and Geevor mines before each retired due to ill health. They are posed in Harvey's studio in front of a backdrop of a scene from a Malayan tin mine. In the late 1920s cheaper tin from Malaya undercut the price of Cornish tin and many miners emigrated in search of work. The painting, therefore, could be seen as much a comment on the decline of the tin mining industry in Cornwall as it is a celebration of the Cornish diaspora.

© RIC

St Michael's Mount, Mounts Bay, Cornwall. Late 1890s Featured Print

St Michael's Mount, Mounts Bay, Cornwall. Late 1890s

A number of fishing boats with sails in Mounts Bay with a view of St Michael's Mount in the background. Some of the fishing boats are registered PH (Plymouth). A small rowing boat is in the foreground. St Michael's Mount is managed by the National Trust, together with the St Aubyn family who have lived in the castle since the 1650s. Photographer: Unknown.

© From the collection of the RIC