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Lady Gallery

Available as Prints and Gift Items

Choose from 11 pictures in our Lady collection for your Wall Art or Photo Gift. All professionally made for Quick Shipping.


Tamsin Blight, the White Witch of Helston, William Jones Chapman (1808-1872)
Tamsin Blight, the White Witch of Helston, William Jones Chapman (1808-1872)
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Irene, Bryan Pearce (1929-2007)
Irene, Bryan Pearce (1929-2007)
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Against Regatta Day, Stanhope Forbes (1857-1947)
Against Regatta Day, Stanhope Forbes (1857-1947)
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Waterfall outside Waterfall Gardens, Truro, Cornwall. Probably around 1910
Waterfall outside Waterfall Gardens, Truro, Cornwall. Probably around 1910
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A Concert Party, Artist Unknown
A Concert Party, Artist Unknown
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Annie Rowney, Leghe Suthers (1856-1924)
Annie Rowney, Leghe Suthers (1856-1924)
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Girl Leaning on a Ledge, Artist Unknown
Girl Leaning on a Ledge, Artist Unknown
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Kimberley Park, Falmouth, Cornwall. 1910-1920
Kimberley Park, Falmouth, Cornwall. 1910-1920
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Mr and Mrs Charles Webber, Newlyn East, Cornwall. August 1907
Mr and Mrs Charles Webber, Newlyn East, Cornwall. August 1907
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Trevena Guest House, 12 Esplanade Road, Pentire, Newquay Cornwall. Around 1930
Trevena Guest House, 12 Esplanade Road, Pentire, Newquay Cornwall. Around 1930
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Trerice Manor House, Kestle Mill, St Newlyn East, Cornwall. Early 1900s
Trerice Manor House, Kestle Mill, St Newlyn East, Cornwall. Early 1900s
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Irene, Bryan Pearce (1929-2007) Featured Print

Irene, Bryan Pearce (1929-2007)

Oil on board, 1975. Bryan Pearce was born in St Ives in 1929 and suffered from the then unknown condition Phenylketonuria, which affects the normal development of the brain. Encouraged by his mother, the painter Mary Pearce, and then by other St Ives artists, he began drawing and painting in watercolours in 1953. His regular walks around St Ives, where he lived all his life, have been the inspiration for his subject matter, unconsciously recording the town's subtle changes. In this synthesis of imagination and reality, Pearce paints the world as he commands it; a sanctuary with an ever-present sun, bathing the streets and houses in the subtlest of colour harmonies. He worked slowly, but consistently, producing around twelve oil paintings a year. Often compared to Alfred Wallis, the late Peter Lanyon said of him: Because his sources are not seen with a passive eye, but are truly happenings, his painting is original'. His particular experiences of his hometown were captured with unique clarity. Pearce's artistic developments, his simple renditions of space, colour and light, evolve from a sophisticated understanding of composition. He had a career which spanned over fifty years, his paintings seem to evoke a serene sense of place, which seems at once personal yet archetypal. He is now recognised as one of the country's foremost naive painters, through the re-examination of familiar views and landmarks, Pearce offers us his profound, extraordinary experience of St Ives

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