Orange Gallery
Available as Prints and Gift Items
Choose from 28 pictures in our Orange collection for your Wall Art or Photo Gift. All professionally made for Quick Shipping.

Jubilee Procession in a Cornish Village, A.G. Sherwood Hunter (1846-1919)
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Study of Three Girls Heads, Lucas Cranach the elder (1472-1553)
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Boy Rowing out from Rocky Shore, Henry Scott Tuke (1858-1929)
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Long-tailed Widowbird (Euplectes progne), Buffelsdoorn Estate, Klerksdorp, South Africa
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Chalcocite with Quartz, Cooks Kitchen Mine, Illogan, Cornwall, England
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Green Waters, Henry Scott Tuke (1858-1929)
Oil on canvas, Newlyn School, late 19th / early 20th century. A man sculling in a small boat. Henry Scott Tuke was born into a Quaker family in Lawrence Street, York. In 1859 the family moved to Falmouth, where his father Daniel Tuke , a physician, established a practice. Tuke was encouraged to draw and paint from an early age and some of his earliest drawings, aged four or five years old, were published in 1895. In 1875, he enrolled in the Slade School of Art. Initially his father paid for his tuition but in 1877 Tuke won a scholarship, which allowed him to continue his training at the Slade and in Italy in 1880. From 1881 to 1883 he was in Paris where he met the artist Jules Bastien-Lepage, who encouraged him to paint en plein air (in the open air) a method of working that came to dominate his practice. While studying in France, Tuke decided to move to Newlyn, Cornwall where many of his Slade and Parisian friends had already formed the Newlyn School of painters. He received several lucrative commissions there, after exhibiting his work at the Royal Academy of Art in London. In 1885, he returned to Falmouth where many of his major works were produced. He became an established artist and was elected to full membership of the Royal Academy in 1914. Tuke suffered a heart attack in 1928 and died in March 1929. In his will he left generous amounts of money to some of the men who, as boys, had been his models. Today he is remembered mainly for his oil paintings of young men, but in addition to his achievements as a figurative painter, he was an established maritime artist and produced as many portraits of sailing ships as he did human figures. He was a prolific artist, over 1,300 works are listed and more are still being discovered
© RIC

Study for the carter in The Lighting Up Time, Stanhope Forbes (1857-1947)
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Carved Figure, Mandalay, Myanmar (formerly Burma), South East Asia
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Malachite, Wheal Husband, Sticker, St Ewe, Cornwall, England
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Goethite with Calcite, Forest of Dean, Gloucestershire, England
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Cassiterite Partly Replacing Orthoclase, Wheal Coates, St Agnes, Cornwall, England
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Chalcopyrite with Calcite and Galena, Staunton Harold, Leicestershire, England
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Copper with Quartz, South Caradon Mine, St Cleer, Cornwall, England
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Study for the carter in The Lighting Up Time, Stanhope Forbes (1857-1947)
Oil on canvas, Newlyn School, late 19th century. The Lighting Up Time was completed in 1902 and there are several studies for different elements of the painting in existence. This portrait of a young man holding a lighted lantern, standing by his horse and cart, is one of the studies. The final version is now in a private collection. Born in Dublin, Stanhope Forbes is regarded as the founder and leader of the Newlyn School. He attended Lambeth School of Art and the Royal Academy Schools before studying at Bonnat's studio in Paris in 1881. He settled in Newlyn in 1884 and stayed for the rest of his life. Together with his wife Elizabeth, he taught many of the next generation of artists at their school of painting. Norman Garstin, in an article on Stanhope Forbes, wrote that no one has done so much to hold the little community of Newlyn together as Mr Stanhope Forbes
© RIC

Galena with Calcite, Sphalerite and Pyrite, Staunton Harold, Leicestershire, England
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