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Woman Gallery

Available as Prints and Gift Items

Choose from 42 pictures in our Woman collection for your Wall Art or Photo Gift. All professionally made for Quick Shipping.


Court Cocking, St Ives, Cornwall. 1890
Court Cocking, St Ives, Cornwall. 1890
Full Range of Prints and Gifts in Stock
Portrait of a lady, Polperro, Cornwall. 1860-1870s
Portrait of a lady, Polperro, Cornwall. 1860-1870s
Full Range of Prints and Gifts in Stock
Tamsin Blight, the White Witch of Helston, William Jones Chapman (1808-1872)
Tamsin Blight, the White Witch of Helston, William Jones Chapman (1808-1872)
Full Range of Prints and Gifts in Stock
Irene, Bryan Pearce (1929-2007)
Irene, Bryan Pearce (1929-2007)
Full Range of Prints and Gifts in Stock
Mrs Phillips of Goonere, Scorrier, Gwennap, Cornwall. October 1907
Mrs Phillips of Goonere, Scorrier, Gwennap, Cornwall. October 1907
Full Range of Prints and Gifts in Stock
The Promenade, Penzance, Cornwall. Early 1900s
The Promenade, Penzance, Cornwall. Early 1900s
Full Range of Prints and Gifts in Stock
Annie Rowney, Leghe Suthers (1856-1924)
Annie Rowney, Leghe Suthers (1856-1924)
Full Range of Prints and Gifts in Stock
The Pilgrimage to Canterbury, Thomas Stothard (1755-1834)
The Pilgrimage to Canterbury, Thomas Stothard (1755-1834)
Full Range of Prints and Gifts in Stock
Against Regatta Day, Stanhope Forbes (1857-1947)
Against Regatta Day, Stanhope Forbes (1857-1947)
Full Range of Prints and Gifts in Stock
Waterfall outside Waterfall Gardens, Truro, Cornwall. Probably around 1910
Waterfall outside Waterfall Gardens, Truro, Cornwall. Probably around 1910
Full Range of Prints and Gifts in Stock
A Concert Party, Artist Unknown
A Concert Party, Artist Unknown
Full Range of Prints and Gifts in Stock
Pelike, Southern Italy
Pelike, Southern Italy
Full Range of Prints and Gifts in Stock
The Pilgrimage to Canterbury, Thomas Stothard (1755-1834) Featured Image

The Pilgrimage to Canterbury, Thomas Stothard (1755-1834)

Oil on panel, English School, late 18th / early 19th century. Thomas Stothard was born in London and was apprenticed to a draughtsman of silk pattern designs in Spitalfields. When his master died, he attended the Royal Academy in 1778, was elected a Royal Academician in 1794 and, having been taken under the wing of Sir Joshua Reynolds, devoted much of his skill to engravings and illustrations. Stothard worked prodigiously, his family portraits funding much of his art schooling. He admired Rubens and although his paintings are often small in size, they reflect Rubens colours and composition. This painting shows just one small part of The Pilgrimage to Canterbury. The finished painting (Tate N01163) includes around thirty characters and is almost a metre in length. The engraver and publisher Robert Cromek commissioned this painting from Stothard. He then put it on display and charged visitors a shilling to see it. He also collected subscriptions for the forthcoming print of the painting. William Blake, then a close friend of Stothard, claimed that Cromek had commissioned a painting of the Canterbury Pilgrims from him first, but that Cromek had not liked his design and so took the commission to Stothard. Blake then accused Cromek and, through him, Stothard of copying his long, frieze-like composition. Blake was furious when Stothard's resulting work spring boarded his career and brought about numerous important commissions. It is unlikely that Blake's accusations were well-founded, but the dispute effectively ended Blake and Stothard's friendship

© RIC

The Gullett Family, John Opie (1761-1807)
The Gullett Family, John Opie (1761-1807)
Full Range of Prints and Gifts in Stock
Girl Leaning on a Ledge, Artist Unknown
Girl Leaning on a Ledge, Artist Unknown
Full Range of Prints and Gifts in Stock
South Island Giant Moa (Dinornis robustus) Right Leg, Castle Hill Station, Canterbury, South Island, New Zealand
South Island Giant Moa (Dinornis robustus) Right Leg, Castle Hill Station, Canterbury, South Island, New Zealand
Full Range of Prints and Gifts in Stock
Madonna and Child, Rogier van der Weyden (1399-1464)
Madonna and Child, Rogier van der Weyden (1399-1464)
Full Range of Prints and Gifts in Stock
Earthenware Figure of Dolly Pentreath, Swansea, Glamorgan, Wales
Earthenware Figure of Dolly Pentreath, Swansea, Glamorgan, Wales
Full Range of Prints and Gifts in Stock
Cornish fishwife with cawl, Cornwall County Fisheries Exhibition, Truro, Cornwall. July to August 1893
Cornish fishwife with cawl, Cornwall County Fisheries Exhibition, Truro, Cornwall. July to August 1893
Full Range of Prints and Gifts in Stock
Lady riding side-saddle, Newquay, Cornwall. Early 1900s
Lady riding side-saddle, Newquay, Cornwall. Early 1900s
Full Range of Prints and Gifts in Stock
1894 flood, St Ives, Cornwall. November 1894
1894 flood, St Ives, Cornwall. November 1894
Full Range of Prints and Gifts in Stock
The Egyptian House, Penzance, Cornwall. 1900s
The Egyptian House, Penzance, Cornwall. 1900s
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Town centre, Penzance, Cornwall. 1900s
Town centre, Penzance, Cornwall. 1900s
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Onion man, Penzance, Cornwall. 1898
Onion man, Penzance, Cornwall. 1898
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Market Street, Falmouth, Cornwall. Around 1910
Market Street, Falmouth, Cornwall. Around 1910
Full Range of Prints and Gifts in Stock
The Gullett Family, John Opie (1761-1807) Featured Image

The Gullett Family, John Opie (1761-1807)

Oil on canvas, English School, circa 1786. This family portrait by the Cornish artist John Opie, shows Christopher Gullet, Clerk of the Peace for Devon, with his wife Anne and youngest child Georgina. John Opie was born in Harmony Cottage, Trevellas, between St Agnes and Perranporth in Cornwall. He was the youngest of the five children of Edward Opie, a master carpenter, and his wife Mary (nee Tonkin). He showed a precocious talent for drawing and mathematics, and by the age of twelve he had mastered the teachings of Greek mathematician Euclid and opened an evening school for poor children where he taught reading, writing and arithmetic. His father, however, did not encourage his abilities, and apprenticed him to his own trade of carpentry. Opie's artistic abilities eventually came to the attention of local physician and satirist, Dr John Wolcot (who used the pen name Peter Pindar), who visited him at the sawmill where he was working in 1775. Recognising a great talent, Wolcot became Opie's mentor, buying him out of his apprenticeship and insisting that he come to live at his home in Truro. Wolcot provided invaluable encouragement, advice, tuition and practical help in the advancement of his early career, including obtaining many commissions for work. In 1781, having gained considerable experience as a portraitist travelling around Cornwall, Opie moved to London with Wolcot. There they lived together, having entered into a formal profit-sharing agreement. Although Opie had received a considerable artistic education from Wolcot, the doctor chose to present him as a self-taught prodigy; a portrait of a boy shown at the Society of Artists the previous year, had been described in the catalogue as "an instance of Genius, not having ever seen a picture." Wolcot introduced the "Cornish wonder" to leading artists, including Sir Joshua Reynolds, who was to compare him to Caravaggio and Velazquez

© RIC

St John Ambulance collection, Lemon Street, Truro, Cornwall. October 1915
St John Ambulance collection, Lemon Street, Truro, Cornwall. October 1915
Full Range of Prints and Gifts in Stock
New Street, Falmouth, Cornwall. Around 1910
New Street, Falmouth, Cornwall. Around 1910
Full Range of Prints and Gifts in Stock
Kimberley Park, Falmouth, Cornwall. 1910-1920
Kimberley Park, Falmouth, Cornwall. 1910-1920
Full Range of Prints and Gifts in Stock
Passmore Edwards Free Library, The Moor, Falmouth, Cornwall. Early 1900s
Passmore Edwards Free Library, The Moor, Falmouth, Cornwall. Early 1900s
Full Range of Prints and Gifts in Stock
The Promenade, Penzance, Cornwall. Probably around 1910
The Promenade, Penzance, Cornwall. Probably around 1910
Full Range of Prints and Gifts in Stock
Town centre, Penzance, Cornwall. Probably between 1905-1910
Town centre, Penzance, Cornwall. Probably between 1905-1910
Full Range of Prints and Gifts in Stock
Lands End, Cornwall. 1907
Lands End, Cornwall. 1907
Full Range of Prints and Gifts in Stock
Hospital Day collection in Truro, Cornwall. 1910s
Hospital Day collection in Truro, Cornwall. 1910s
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Chapel Street, Penzance, Cornwall. Early 1900s
Chapel Street, Penzance, Cornwall. Early 1900s
Full Range of Prints and Gifts in Stock
King Harry Ferry, Feock, Cornwall. After 1888
King Harry Ferry, Feock, Cornwall. After 1888
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After the Bathe, Henry Scott Tuke (1858-1929)
After the Bathe, Henry Scott Tuke (1858-1929)
Full Range of Prints and Gifts in Stock
Lifeboat house, Mullion Cove (Porth Mellin), Mullion, Cornwall. Around 1900
Lifeboat house, Mullion Cove (Porth Mellin), Mullion, Cornwall. Around 1900
Full Range of Prints and Gifts in Stock
After the Bathe, Henry Scott Tuke (1858-1929) Featured Image

After the Bathe, Henry Scott Tuke (1858-1929)

Oil on canvas, Newlyn School, late 19th century / early 20th century. Portrait of a nude adolescent boy drying himself with towel. Henry Scott Tuke was born into a Quaker family in Lawrence Street, York. In 1859 the family moved to Falmouth, where his father Daniel Tuke, a physician, established a practice. Tuke was encouraged to draw and paint from an early age and some of his earliest drawings, aged four or five years old, were published in 1895. In 1875, he enrolled in the Slade School of Art. Initially his father paid for his tuition but in 1877 Tuke won a scholarship, which allowed him to continue his training at the Slade and in Italy in 1880. From 1881 to 1883 he was in Paris where he met the artist Jules Bastien-Lepage, who encouraged him to paint en plein air (in the open air) a method of working that came to dominate his practice. While studying in France, Tuke decided to move to Newlyn, Cornwall where many of his Slade and Parisian friends had already formed the Newlyn School of painters. He received several lucrative commissions there, after exhibiting his work at the Royal Academy of Art in London. In 1885, he returned to Falmouth where many of his major works were produced. He became an established artist and was elected to full membership of the Royal Academy in 1914. Tuke suffered a heart attack in 1928 and died in March 1929. In his will he left generous amounts of money to some of the men who, as boys, had been his models. Today he is remembered mainly for his oil paintings of young men, but in addition to his achievements as a figurative painter, he was an established maritime artist and produced as many portraits of sailing ships as he did human figures. He was a prolific artist, over 1,300 works are listed and more are still being discovered

© RIC

Visiting group near Giants Quoits after they fell, St Keverne, Cornwall. 9th January 1966
Visiting group near Giants Quoits after they fell, St Keverne, Cornwall. 9th January 1966
Full Range of Prints and Gifts in Stock
Express coach outside the Daniell Arms, Infirmary Hill, Truro, Cornwall. 22nd September 1915
Express coach outside the Daniell Arms, Infirmary Hill, Truro, Cornwall. 22nd September 1915
Full Range of Prints and Gifts in Stock
The Signal Station, Newquay, Cornwall. Around 1910s
The Signal Station, Newquay, Cornwall. Around 1910s
Full Range of Prints and Gifts in Stock
View through the village, Mitchell, St Newlyn East, Cornwall. 1957
View through the village, Mitchell, St Newlyn East, Cornwall. 1957
Full Range of Prints and Gifts in Stock
North side of the harbour, Mevagissey, Cornwall. 1909
North side of the harbour, Mevagissey, Cornwall. 1909
Full Range of Prints and Gifts in Stock
Country lane near Relubbus, St Hilary, Cornwall. 1969
Country lane near Relubbus, St Hilary, Cornwall. 1969
Full Range of Prints and Gifts in Stock