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Framed Pictures, Canvas Prints
Posters & Jigsaws since 2004

Woman Gallery

Available as Framed Prints, Photos, Wall Art and Gift Items

Choose from 42 pictures in our Woman collection for your Wall Art or Photo Gift. Popular choices include Framed Prints, Canvas Prints, Posters and Jigsaw Puzzles. All professionally made for quick delivery.


The Gullett Family, John Opie (1761-1807) Featured Print

The Gullett Family, John Opie (1761-1807)

Oil on canvas, English School, circa 1786. This family portrait by the Cornish artist John Opie, shows Christopher Gullet, Clerk of the Peace for Devon, with his wife Anne and youngest child Georgina. John Opie was born in Harmony Cottage, Trevellas, between St Agnes and Perranporth in Cornwall. He was the youngest of the five children of Edward Opie, a master carpenter, and his wife Mary (nee Tonkin). He showed a precocious talent for drawing and mathematics, and by the age of twelve he had mastered the teachings of Greek mathematician Euclid and opened an evening school for poor children where he taught reading, writing and arithmetic. His father, however, did not encourage his abilities, and apprenticed him to his own trade of carpentry. Opie's artistic abilities eventually came to the attention of local physician and satirist, Dr John Wolcot (who used the pen name Peter Pindar), who visited him at the sawmill where he was working in 1775. Recognising a great talent, Wolcot became Opie's mentor, buying him out of his apprenticeship and insisting that he come to live at his home in Truro. Wolcot provided invaluable encouragement, advice, tuition and practical help in the advancement of his early career, including obtaining many commissions for work. In 1781, having gained considerable experience as a portraitist travelling around Cornwall, Opie moved to London with Wolcot. There they lived together, having entered into a formal profit-sharing agreement. Although Opie had received a considerable artistic education from Wolcot, the doctor chose to present him as a self-taught prodigy; a portrait of a boy shown at the Society of Artists the previous year, had been described in the catalogue as "an instance of Genius, not having ever seen a picture." Wolcot introduced the "Cornish wonder" to leading artists, including Sir Joshua Reynolds, who was to compare him to Caravaggio and Velazquez

© RIC

Annie Rowney, Leghe Suthers (1856-1924) Featured Print

Annie Rowney, Leghe Suthers (1856-1924)

Oil on canvas, Newlyn School, late 19th / early 20th century. John Lees, or Leghe Suthers was born in Oldham, Greater Manchester. Very little is known about his early life, but it is assumed that he spent his formative years around Southport in Lancashire, where he is known to have lived before moving to Newlyn. Suthers studied at Verlat's Academy in Antwerp and was great friends with fellow Newlyn artists Fred Hall and Frank Bramley, who also studied there. He later met Stanhope Forbes in Brittany. He went to paint in Venice, and Venetian subjects dominated his early works shown at the Royal Academy. An early visitor to Newlyn, staying for some months in 1883, Suthers continued to use his Southport address for his Royal Academy submissions until 1893 (having first exhibited there in 1885). It is difficult to determine when he settled in Newlyn, particularly as he was often away from the village, but he was a keen advocate of the square brush technique, clearly visible in this portrait, and seems to have been an integral member of the colony. It is thought that had probably stopped painting in Newlyn by 1900 and had settled along with Fred Hall in Porlock, Somerset

© RIC

After the Bathe, Henry Scott Tuke (1858-1929) Featured Print

After the Bathe, Henry Scott Tuke (1858-1929)

Oil on canvas, Newlyn School, late 19th century / early 20th century. Portrait of a nude adolescent boy drying himself with towel. Henry Scott Tuke was born into a Quaker family in Lawrence Street, York. In 1859 the family moved to Falmouth, where his father Daniel Tuke, a physician, established a practice. Tuke was encouraged to draw and paint from an early age and some of his earliest drawings, aged four or five years old, were published in 1895. In 1875, he enrolled in the Slade School of Art. Initially his father paid for his tuition but in 1877 Tuke won a scholarship, which allowed him to continue his training at the Slade and in Italy in 1880. From 1881 to 1883 he was in Paris where he met the artist Jules Bastien-Lepage, who encouraged him to paint en plein air (in the open air) a method of working that came to dominate his practice. While studying in France, Tuke decided to move to Newlyn, Cornwall where many of his Slade and Parisian friends had already formed the Newlyn School of painters. He received several lucrative commissions there, after exhibiting his work at the Royal Academy of Art in London. In 1885, he returned to Falmouth where many of his major works were produced. He became an established artist and was elected to full membership of the Royal Academy in 1914. Tuke suffered a heart attack in 1928 and died in March 1929. In his will he left generous amounts of money to some of the men who, as boys, had been his models. Today he is remembered mainly for his oil paintings of young men, but in addition to his achievements as a figurative painter, he was an established maritime artist and produced as many portraits of sailing ships as he did human figures. He was a prolific artist, over 1,300 works are listed and more are still being discovered

© RIC