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Yellow Gallery

Available as Prints and Gift Items

Choose from 29 pictures in our Yellow collection for your Wall Art or Photo Gift. All professionally made for Quick Shipping.


Jubilee Procession in a Cornish Village, A.G. Sherwood Hunter (1846-1919)
Jubilee Procession in a Cornish Village, A.G. Sherwood Hunter (1846-1919)
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A China Clay Pit, Leswidden, Harold Harvey (1874-1941)
A China Clay Pit, Leswidden, Harold Harvey (1874-1941)
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Timber Barque off Pendennis, Henry Scott Tuke (1858-1929)
Timber Barque off Pendennis, Henry Scott Tuke (1858-1929)
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Tamsin Blight, the White Witch of Helston, William Jones Chapman (1808-1872)
Tamsin Blight, the White Witch of Helston, William Jones Chapman (1808-1872)
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The Clay Pit, Harold Harvey (1874-1941)
The Clay Pit, Harold Harvey (1874-1941)
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After the Bathe, Henry Scott Tuke (1858-1929)
After the Bathe, Henry Scott Tuke (1858-1929)
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The Archers, John Singer Sargent (1856-1925)
The Archers, John Singer Sargent (1856-1925)
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Monday, Bryan Pearce (1929-2007)
Monday, Bryan Pearce (1929-2007)
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Gold, Carnon Stream Works, Perranarworthal, Cornwall, England
Gold, Carnon Stream Works, Perranarworthal, Cornwall, England
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The Boy Jacka, Henry Scott Tuke (1858-1929)
The Boy Jacka, Henry Scott Tuke (1858-1929)
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Harry, Henry Scott Tuke (1858-1929)
Harry, Henry Scott Tuke (1858-1929)
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Chalcocite with Quartz, Cooks Kitchen Mine, Illogan, Cornwall, England
Chalcocite with Quartz, Cooks Kitchen Mine, Illogan, Cornwall, England
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The Boy Jacka, Henry Scott Tuke (1858-1929) Featured Print

The Boy Jacka, Henry Scott Tuke (1858-1929)

Oil on canvas, Newlyn School, 1886-1888. Full length portrait of boy against a green door. Henry Scott Tuke was born into a Quaker family in Lawrence Street, York. In 1859 the family moved to Falmouth, where his father Daniel Tuke , a physician, established a practice. Tuke was encouraged to draw and paint from an early age and some of his earliest drawings, aged four or five years old, were published in 1895. In 1875, he enrolled in the Slade School of Art. Initially his father paid for his tuition but in 1877 Tuke won a scholarship, which allowed him to continue his training at the Slade and in Italy in 1880. From 1881 to 1883 he was in Paris where he met the artist Jules Bastien-Lepage, who encouraged him to paint en plein air (in the open air) a method of working that came to dominate his practice. While studying in France, Tuke decided to move to Newlyn, Cornwall where many of his Slade and Parisian friends had already formed the Newlyn School of painters. He received several lucrative commissions there, after exhibiting his work at the Royal Academy of Art in London. In 1885, he returned to Falmouth where many of his major works were produced. He became an established artist and was elected to full membership of the Royal Academy in 1914. Tuke suffered a heart attack in 1928 and died in March 1929. In his will he left generous amounts of money to some of the men who, as boys, had been his models. Today he is remembered mainly for his oil paintings of young men, but in addition to his achievements as a figurative painter, he was an established maritime artist and produced as many portraits of sailing ships as he did human figures. He was a prolific artist, over 1,300 works are listed and more are still being discovered. Tuke painted over 13 portraits of quay scamp and deckhand Jack Jacka Rowing (Rolling) between 1886 and 1888. Rowling eventually became a diver for the Liverpool Salvage Company. Many of Tuke's models, like Phillip Harvey at Newlyn and Edwin Neddy Hall in Falmouth, were local fishermen, mariners, or shipworkers

© RIC

John Vivian of Pencalenick, John Opie (1761-1807)
John Vivian of Pencalenick, John Opie (1761-1807)
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St Just Tin Miners, Harold Harvey (1874-1941)
St Just Tin Miners, Harold Harvey (1874-1941)
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Kabul to Kandahar Star 1880, Second Anglo-Afghan War 1878-1880
Kabul to Kandahar Star 1880, Second Anglo-Afghan War 1878-1880
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Galena, Staunton Harold, Leicestershire, England
Galena, Staunton Harold, Leicestershire, England
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Galena, Earl Ferrers Mine, Staunton Harold, Leicestershire, England
Galena, Earl Ferrers Mine, Staunton Harold, Leicestershire, England
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Chalcopyrite on Baryte, Ecton Mine, Ecton Hill, Staffordshire, England
Chalcopyrite on Baryte, Ecton Mine, Ecton Hill, Staffordshire, England
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The Market Square, Concarneau, Charles Bryant (1883-1937)
The Market Square, Concarneau, Charles Bryant (1883-1937)
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Pelike, Southern Italy
Pelike, Southern Italy
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Chalcocite with Chalcopyrite, Tincroft Mine, Illogan, Cornwall, England
Chalcocite with Chalcopyrite, Tincroft Mine, Illogan, Cornwall, England
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Carved Figure, Mandalay, Myanmar (formerly Burma), South East Asia
Carved Figure, Mandalay, Myanmar (formerly Burma), South East Asia
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Galena with Calcite, Sphalerite and Pyrite, Staunton Harold, Leicestershire, England
Galena with Calcite, Sphalerite and Pyrite, Staunton Harold, Leicestershire, England
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Galena with Sphalerite, Staunton Harold, Leicestershire, England
Galena with Sphalerite, Staunton Harold, Leicestershire, England
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John Vivian of Pencalenick, John Opie (1761-1807) Featured Print

John Vivian of Pencalenick, John Opie (1761-1807)

Oil on canvas, English School, around 1780. A portrait of a young John Vivian of Pencalenick (1772-1817). Vivian later became a Barrister and was High Sheriff of Cornwall in 1812. John Opie was born in Harmony Cottage, Trevellas, between St Agnes and Perranporth in Cornwall. He was the youngest of the five children of Edward Opie, a master carpenter, and his wife Mary (nee Tonkin). He showed a precocious talent for drawing and mathematics, and by the age of twelve he had mastered the teachings of Greek mathematician Euclid and opened an evening school for poor children where he taught reading, writing and arithmetic. His father, however, did not encourage his abilities, and apprenticed him to his own trade of carpentry. Opie's artistic abilities eventually came to the attention of local physician and satirist, Dr John Wolcot (who used the pen name Peter Pindar), who visited him at the sawmill where he was working in 1775. Recognising a great talent, Wolcot became Opie's mentor, buying him out of his apprenticeship and insisting that he come to live at his home in Truro. Wolcot provided invaluable encouragement, advice, tuition and practical help in the advancement of his early career, including obtaining many commissions for work. In 1781, having gained considerable experience as a portraitist travelling around Cornwall, Opie moved to London with Wolcot. There they lived together, having entered into a formal profit-sharing agreement. Although Opie had received a considerable artistic education from Wolcot, the doctor chose to present him as a self-taught prodigy; a portrait of a boy shown at the Society of Artists the previous year, had been described in the catalogue as "an instance of Genius, not having ever seen a picture." Wolcot introduced the "Cornish wonder" to leading artists, including Sir Joshua Reynolds, who was to compare him to Caravaggio and Velazquez

© RIC

Galena with Sphalerite and Chalcopyrite, Staunton Harold, Leicestershire, England
Galena with Sphalerite and Chalcopyrite, Staunton Harold, Leicestershire, England
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Chalcopyrite with Calcite and Galena, Staunton Harold, Leicestershire, England
Chalcopyrite with Calcite and Galena, Staunton Harold, Leicestershire, England
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Earthenware Figure of Dolly Pentreath, Swansea, Glamorgan, Wales
Earthenware Figure of Dolly Pentreath, Swansea, Glamorgan, Wales
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Fishing boats, Penzance, Cornwall. Around 1900
Fishing boats, Penzance, Cornwall. Around 1900
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Torbernite on Quartz, Wheal Basset, Illogan, Cornwall, England
Torbernite on Quartz, Wheal Basset, Illogan, Cornwall, England
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