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Images Dated

Available as Framed Prints, Photos, Wall Art and Gift Items

Choose from 3054 pictures in our Images Dated collection for your Wall Art or Photo Gift. Popular choices include Framed Prints, Canvas Prints, Posters and Jigsaw Puzzles. All professionally made for quick delivery.


Green Waters, Henry Scott Tuke (1858-1929) Featured Images Dated Print

Green Waters, Henry Scott Tuke (1858-1929)

Oil on canvas, Newlyn School, late 19th / early 20th century. A man sculling in a small boat. Henry Scott Tuke was born into a Quaker family in Lawrence Street, York. In 1859 the family moved to Falmouth, where his father Daniel Tuke, a physician, established a practice. Tuke was encouraged to draw and paint from an early age and some of his earliest drawings, aged four or five years old, were published in 1895. In 1875, he enrolled in the Slade School of Art. Initially his father paid for his tuition but in 1877 Tuke won a scholarship, which allowed him to continue his training at the Slade and in Italy in 1880. From 1881 to 1883 he was in Paris where he met the artist Jules Bastien-Lepage, who encouraged him to paint en plein air (in the open air) a method of working that came to dominate his practice. While studying in France, Tuke decided to move to Newlyn, Cornwall where many of his Slade and Parisian friends had already formed the Newlyn School of painters. He received several lucrative commissions there, after exhibiting his work at the Royal Academy of Art in London. In 1885, he returned to Falmouth where many of his major works were produced. He became an established artist and was elected to full membership of the Royal Academy in 1914. Tuke suffered a heart attack in 1928 and died in March 1929. In his will he left generous amounts of money to some of the men who, as boys, had been his models. Today he is remembered mainly for his oil paintings of young men, but in addition to his achievements as a figurative painter, he was an established maritime artist and produced as many portraits of sailing ships as he did human figures. He was a prolific artist, over 1,300 works are listed and more are still being discovered

© RIC

GWR tank number 34 pictured with four men on the St Ives branch. Around 1905 Featured Images Dated Print

GWR tank number 34 pictured with four men on the St Ives branch. Around 1905

The image shows GWR number 34 pictured with two unnamed men, Charlie Gould the fireman standing on the running plate and the driver Nickie Curnow standing with his feeder (oil can) on the St Ives branch line. The engine itself has a 0-4-4 tank, built as a 0-4-2 saddle tank, along with number 35 at Swindon in 1890 as Lot Number 81. The locomotive was altered to the 0-4-4 side tank in 1895. It weighed 40 tons and had a 800 gallon water capacity. Number 34 was sold in 1908 and eventually made her way to the Longmoor Military Railway where she carried the name 'Longmoor'. She was sadly cut up in 1922

© From the collection of the RIC

Irene, Bryan Pearce (1929-2007) Featured Images Dated Print

Irene, Bryan Pearce (1929-2007)

Oil on board, 1975. Bryan Pearce was born in St Ives in 1929 and suffered from the then unknown condition Phenylketonuria, which affects the normal development of the brain. Encouraged by his mother, the painter Mary Pearce, and then by other St Ives artists, he began drawing and painting in watercolours in 1953. His regular walks around St Ives, where he lived all his life, have been the inspiration for his subject matter, unconsciously recording the town's subtle changes. In this synthesis of imagination and reality, Pearce paints the world as he commands it; a sanctuary with an ever-present sun, bathing the streets and houses in the subtlest of colour harmonies. He worked slowly, but consistently, producing around twelve oil paintings a year. Often compared to Alfred Wallis, the late Peter Lanyon said of him: 'Because his sources are not seen with a passive eye, but are truly happenings, his painting is original'. His particular experiences of his hometown were captured with unique clarity. Pearce's artistic developments, his simple renditions of space, colour and light, evolve from a sophisticated understanding of composition. He had a career which spanned over fifty years, his paintings seem to evoke a serene sense of place, which seems at once personal yet archetypal. He is now recognised as one of the country's foremost 'naive' painters, through the re-examination of familiar views and landmarks, Pearce offers us his profound, extraordinary experience of St Ives

© RIC