Blue Gallery

Harry, Henry Scott Tuke (1858-1929)

Oil on canvas, Newlyn School, around 1888. Henry Scott Tuke was born into a Quaker family in Lawrence Street, York. In 1859 the family moved to Falmouth, where his father Daniel Tuke , a physician, established a practice. Tuke was encouraged to draw and paint from an early age and some of his earliest drawings, aged four or five years old, were published in 1895. In 1875, he enrolled in the Slade School of Art. Initially his father paid for his tuition but in 1877 Tuke won a scholarship, which allowed him to continue his training at the Slade and in Italy in 1880. From 1881 to 1883 he was in Paris where he met the artist Jules Bastien-Lepage, who encouraged him to paint en plein air (in the open air) a method of working that came to dominate his practice. While studying in France, Tuke decided to move to Newlyn, Cornwall where many of his Slade and Parisian friends had already formed the Newlyn School of painters. He received several lucrative commissions there, after exhibiting his work at the Royal Academy of Art in London. In 1885, he returned to Falmouth where many of his major works were produced. He became an established artist and was elected to full membership of the Royal Academy in 1914. Tuke suffered a heart attack in 1928 and died in March 1929. In his will he left generous amounts of money to some of the men who, as boys, had been his models. Today he is remembered mainly for his oil paintings of young men, but in addition to his achievements as a figurative painter, he was an established maritime artist and produced as many portraits of sailing ships as he did human figures. He was a prolific artist, over 1,300 works are listed and more are still being discovered. Tuke often used the same models in his work and painted Harry Cleave several times between 1885 and 1888. Cleave caused Tuke some problems when he converted to Methodism in 1887 and decided he could no longer pose for him. Fortunately Tuke managed to persuade Cleave that posing for artists did not compromise his newly found religious belief

© RIC

The Boy Jacka, Henry Scott Tuke (1858-1929)

Oil on canvas, Newlyn School, 1886-1888. Full length portrait of boy against a green door. Henry Scott Tuke was born into a Quaker family in Lawrence Street, York. In 1859 the family moved to Falmouth, where his father Daniel Tuke , a physician, established a practice. Tuke was encouraged to draw and paint from an early age and some of his earliest drawings, aged four or five years old, were published in 1895. In 1875, he enrolled in the Slade School of Art. Initially his father paid for his tuition but in 1877 Tuke won a scholarship, which allowed him to continue his training at the Slade and in Italy in 1880. From 1881 to 1883 he was in Paris where he met the artist Jules Bastien-Lepage, who encouraged him to paint en plein air (in the open air) a method of working that came to dominate his practice. While studying in France, Tuke decided to move to Newlyn, Cornwall where many of his Slade and Parisian friends had already formed the Newlyn School of painters. He received several lucrative commissions there, after exhibiting his work at the Royal Academy of Art in London. In 1885, he returned to Falmouth where many of his major works were produced. He became an established artist and was elected to full membership of the Royal Academy in 1914. Tuke suffered a heart attack in 1928 and died in March 1929. In his will he left generous amounts of money to some of the men who, as boys, had been his models. Today he is remembered mainly for his oil paintings of young men, but in addition to his achievements as a figurative painter, he was an established maritime artist and produced as many portraits of sailing ships as he did human figures. He was a prolific artist, over 1,300 works are listed and more are still being discovered. Tuke painted over 13 portraits of quay scamp and deckhand Jack Jacka Rowing (Rolling) between 1886 and 1888. Rowling eventually became a diver for the Liverpool Salvage Company. Many of Tuke's models, like Phillip Harvey at Newlyn and Edwin Neddy Hall in Falmouth, were local fishermen, mariners, or shipworkers

© RIC

Sardinian Medal for Valour, Crimean War 1854-1856

This medal was awarded to Brevet Lieutenant Colonel George Frederick Stevenson Call. It is one of 17 campaign medals awarded to members of the Call family, now in the museum collection. The medals date from the Peninsular War (1807-1814) to the Great War (1914-1918). The Call family served with the Royal Irish Regiment, which until 1881 was known as the 18th Regiment of Foot. It was also known as the 18th (Royal Irish) Regiment of Foot and the 18th (The Royal Irish) Regiment of Foot. The regiment was disbanded in 1922. King Victor Emmanuel II instituted the Sardinian Medal for Valour at the end of the Crimean War. It was to be presented to British officers and men of the Royal Navy and Army who had served with gallantry and distinction. 450 of these medals were issued to British soldiers. Known variously as the Sardinian Crimea medal and the Al Valore Militare, the medal is one of many honours and awards of the Crimean War period. On the obverse, the circular silver medal bears the arms of Savoy within a wreath of palm and laurel tied with a bow and the crown of Sardinia above, surrounded by the legend AL VALORE MILITARE (for military valour). The reverse bears a laurel wreath surrounded by the inscription SPEDIZIONE D'ORIENTE 1855 1856'. The recipient's rank, name and regiment are inscribed in the centre. TRURI : 1931.40.49

© RIC, photographer Mike Searle