J. Davies Enys, Henry Scott Tuke (1858-1929)
Oil on canvas, Newlyn School, early 20th century. John Davies Enys (1837-1912) was born at Enys, near Penryn, Cornwall, and emigrated to New Zealand in 1861. He was devoted to the natural sciences and travelled widely in search of specimens. Despite his scientific discoveries and published papers, Enys only ever saw himself as a 'gentleman collector'. He sent many objects back to Cornwall from New Zealand, some of which are in the Royal Cornwall Museum collections. He returned to the Enys Estate in 1891, which he inherited in 1906. Enys was twice President of the Royal Institution of Cornwall, in 1893-1895 and again from 1911 until his death in 1912. Mount Enys, the highest peak in the Craigieburn Range, Canterbury, is named after him. Henry Scott Tuke was born into a Quaker family in Lawrence Street, York. In 1859 the family moved to Falmouth, where his father Daniel Tuke, a physician, established a practice. Tuke was encouraged to draw and paint from an early age and some of his earliest drawings, aged four or five years old, were published in 1895. In 1875, he enrolled in the Slade School of Art. Initially his father paid for his tuition but in 1877 Tuke won a scholarship, which allowed him to continue his training at the Slade and in Italy in 1880. From 1881 to 1883 he was in Paris where he met the artist Jules Bastien-Lepage, who encouraged him to paint en plein air (in the open air) a method of working that came to dominate his practice. While studying in France, Tuke decided to move to Newlyn, Cornwall where many of his Slade and Parisian friends had already formed the Newlyn School of painters. He received several lucrative commissions there, after exhibiting his work at the Royal Academy of Art in London. In 1885, he returned to Falmouth where many of his major works were produced. He became an established artist and was elected to full membership of the Royal Academy in 1914. Tuke suffered a heart attack in 1928 and died in March 1929. In his will he left generous amounts of money to some of the men who, as boys, had been his models. Today he is remembered mainly for his oil paintings of young men, but in addition to his achievements as a figurative painter, he was an established maritime artist and produced as many portraits of sailing ships as he did human figures. He was a prolific artist, over 1,300 works are listed and more are still being discovered.
Levant Mine, St Just in Penwith, Cornwall. 11th (?) July, 1894
Group of 29 miners posed underground at the 278 fathom level. The majority of the miners are wearing felt hats, either with the brim intact or with the brim removed. while others have tallow candles affixed to their hats with lumps of clay. Six of the group are smoking pipes. One miner holds a large saw. The group shows a whole range of ages. The youngest members of the group seem to be at the front, particularly the very young looking boy standing with drills tied with rope and slung around his shoulders, standing in the second row second from the left. Note the condition of the young miners boots, third from the left front row sitting. Photographer: John Charles Burrow.
© From the collection of the RIC
Passmore Edwards Free Library, Truro, Cornwall. Around 1899
The Passmore Edwards Free Library and technical school on the corner of Pydar Street and Union Place. Funded by Passmore Edwards and designed by Silvanus Trevail, the school was built in 1899 as a Technical College for men and women. It became a secondary school for boys aged 11-15 in the 1930s. The school was built as an extension to the Passmore Edwards Free Library which had been built in 1896. Both buildings were later used as Truro Community Library. A group of mainly school children pose for the camera. Probably taken not long after the school opened. Photographer: Arthur William Jordan.
© From the collection of the RIC