St Michael Penkivel Gallery

St Michael Penkivel church, Cornwall. Around 1925

Major Arthur William Gill's car is in the foreground. St Michael Penkivel church contains four altars, one of which is in the tower. Glass lantern slide from a lecture, entitled Some Historic Cornish Beauty Spots, given by Cornishman and amateur photographer, Major Arthur William Gill, in around 1925. He was well known in Cornwall and elsewhere during the 1920s and 1930s for his presentations of stills and cine film to many groups including The Royal Institution of Cornwall, Royal Cornwall Polytechnic Society and the London Cornish Society. The quarter plate slides which he took prolifically with his ordinary camera are, in many cases, colour. These were painted by his own hand to great effect

© From the collection of the RIC

Tregothnan Lodge, Churchtown, St Michael Penkivel, Cornwall. Probably early 1900s

A view of the gate house, Churchtown. Four young girls are standing hand-in-hand looking at the camera and a man is walking along the drive towards the lodge. Tregothnan has been home to the Boscawen family since 1334. The house was rebuilt by Edward Boscawen (1787-1841), fourth Viscount and First Earl of Falmouth, near the site of an older mansion. Tregothnan has the largest historic garden in Cornwall. It is open to the public for one weekend every year. Photographer: Arthur William Jordan

© From the collection of the RIC

Tregothnan House and formal garden, St Michael Penkivel, Cornwall. Around 1925

Tregothnan has been home to the Boscawen family since 1334. The house was rebuilt by Edward Boscawen (1787-1841), fourth Viscount and First Earl of Falmouth, near the site of an older mansion. Tregothnan has the largest historic garden in Cornwall. It is open to the public for one weekend every year. Glass lantern slide from a lecture, entitled Some Historic Cornish Beauty Spots, given by Cornishman and amateur photographer, Major Arthur William Gill, in around 1925. He was well known in Cornwall and elsewhere during the 1920s and 1930s for his presentations of stills and cine film to many groups including The Royal Institution of Cornwall, Royal Cornwall Polytechnic Society and the London Cornish Society. The quarter plate slides which he took prolifically with his ordinary camera are, in many cases, colour. These were painted by his own hand to great effect

© From the collection of the RIC